In the blurred and memorial hallways of bygone time, to remember is to wander
between the rooms of our own experiences, to appear and disappear, like a
play of overlapping shadows. In music set drifting through the architecture of his
own memories, Moses Brown weaves a story that oscillates between the past
and the present, like a mason turning over stones to reconstruct his childhood
home in this beautiful and disquieting soundtrack to growing up.
On Stone Upon Stone, Moses' first solo LP attributed to his given name after
several releases under the brilliant and despondent "Peace de Resistance"
moniker, he moves sidelong into the realm of soundtracks with this score to the
construction of his childhood home in a story spanning 1993-2023. Laid out in
lush and provocative minimalist instrumentals, the album unfolds a story about
the planning, partial construction, and dissolution of a home in constant state of
becoming through the lens of its only child, coming of age under flux. Influenced
by the approach of friends and collaborators Straw Man Army's OST to Charles
Darwin's Voyage of the Beagle, Stone Upon Stone was originally intended as a
soundtrack to a novel of the same name by Wieslaw Mysliwski, an epic set in
Poland about a family's construction of a mausoleum. Struck by the story's
parallels with his own family's project, he got the idea to complete the work as a
personal narrative.
Created from layers of different mellotron voices then separated, re-amplified,
and recorded as if they were a sitting chamber orchestra, the music eerily blurs
the line between human and synthetic, giving way to something akin to a
memory with it's blurriness of fact and fiction. In the same spirit of association,
this record is certainly influenced by other minimalists working within the
confines of "soundtrack", like Philip Glass' North Star and the film work of
Michael Nyman. But Brown's soundtrack works within its own peculiar depth of
field, living in the listener's imagination, thriving in its own sense of loneliness,
aspiration, and confusion that only childhood can evoke. Listeners will feel the
entropy of aging in Stone Upon Stone, like a memoir in cascading tones, that
sets it apart from so much else in DIY music, and rewards with repeated listens.
RIYL - Philip Glass, Kali Malone, Julius Eastman, Mica Levi, Roedelius