Ixona is the second LP from Chicago composer Conor
Mackey under his Lynyn alias. Crafted primarily using
hardware, Lynyn’s masterful instrumental electronic
compositions draw on a wide range of influences including
drum and bass, dub-techno, and acid, immersing the listener
in an environment that’s both vastly spacious and startlingly
intimate. As intricate breakbeats skitter through granular
textures and pointillist swarms, this place that is no place
assembles itself and glows.A classically trained musician and composer, Mackey has
worked alongside a wide variety of collaborators from
symphony orchestras to pop singers. He plays guitar in the
avant-jazz band Monobody, and has produced records with
his Sooper Records labelmates NNAMDÏ and Warm Human.
By day, he writes functional music informed by neuroscience
principles for a specialty streaming platform. With his Lynyn
project, Mackey drills down into the glittering particulars of
finely hewn machine music: how clusters of artificial shards
can lock together into living movement.Mackey’s work is informed by the dense, propulsive
intricacies of IDM artists like Aphex Twin and Squarepusher,
whose influence rings brightly over Lynyn's 2022 debut,
lexicon (Sooper Records). In the years following lexicon's
release, Mackey found himself diving into turn-of-themillennium minimal dub techno from artists like Pole, Basic
Channel, and Deepchord. The album Loop-Finding-JazzRecords by Jan Jelinek proved especially influential on
Lynyn's next moves. "It’s very much a sink-into-the-couch
kind of record. It’s extremely spacious, but it feels very close
-- very haunting, but comforting at the same time," he says.
"There’s these little vinyl clicks and pops, and the percussion
is built out of micro-sounds, and then you have these planes
of pads and loops in the background. On Ixona, I tried to
integrate those components into the style I’ve been working
on for years."