Lucrecia Dalt channels innate sensory echoes
of growing up in Colombia on her new album
¡Ay!, where traditional instrumentation encounters
adventurous impulse and sci-fi meditations on
atemporality in an exclamation of liminal delight.
Dalt’s introspective approach to composition,
last surfaced on her entrancing 2020 album No
era sólida, refracts across ¡Ay! in a subconscious
spectrum of the music genres she absorbed as
a child. Treasured sounds and syncopations of
bolero, mambo, salsa, and merengue rooted in
Dalt’s early surroundings awaken on ¡Ay! and give
glow to the album’s contours.The intuitive melodic
structures of this music, processed by memory and
modular synths, led Dalt to a mirage of her creative
origins and the album she has always wanted to
make.
¡Ay! is a tincture of rich acoustic textures
filtered through the warmth of Dalt’s signature
machinic distortion, diffused of easily-defined
edges as previously explored on No era sólida and
her 2018 album Anticlines. Here, vivid incantations
of upright bass, wind ensembles and brass form
shimmers of harmonic motif, distilled across radiant
rhythms. Dalt worked closely with friend and
collaborator Alex Lázaro to cultivate new shapes
and colors for slowed down tumbaos and bolero
percussion patterns. Together they deconstructed
the traditional drum kit into serpentine expansions
of congas, bongos, temple blocks and timbales,
all of which they tuned to dance among Lucrecia’s
lucid vocal processions.
Into this hallucinatory crossing of time
and space, Dalt projects a sci-fi mythology
rendered through theoretical exchanges with
philosopher Miguel Prado. Their mutual interest
in consciousness and atemporality summoned
the tale of a metaphysical odyssey, cast by Dalt
through silken lyrics in her native Spanish tongue.
The lush musical world of ¡Ay! offers a soft but
obscure landing for an alien entity called Preta,
who has gathered a body in the hydrosphere
from evaporated dead skin. We follow her first
experiences of containment and composure as she
navigates our geology and earthly markers of love
and time, in contrast with her state as a timeless
entity.
Through Dalt’s soaring vocals, the intimate
monologues of this ethereal being oscillate with the
album’s vibrant instrumental arrangements. ¡Ay!
stages a rare encounter between tropical rhythms
and sci-fi storytelling, where Dalt devises her
amorphous character to explore love without the
expected cliches of romantic genres. Dalt brings
lightness and humor to the arc of this melodramatic
tale, once again shedding the restraints of
convention to break boundaries into abstract,
fragmentary relics.
¡Ay! is an interjection through which Dalt
enters a new dimension in her work – one which
connects her legacy of electronic revelations
with the moment she reaches a panoramic view
of her musical source. In sound and spirit, ¡Ay!
is a heliacal exploration of native place and
environmental tuning, where Dalt reverses the spell
of temporal containment. Through the spiraling
tendencies of time and topography, Dalt has
arrived where she began.
Lucrecia Dailt’s ¡Ay! will be released on
October 14, 2022 on vinyl, CD, and digital
formats. On behalf of Lucrecia Dalt and RVNG,
a portion of the proceeds from this release will
benefit Fundación Mareia, an interethnic, Chocó,
Colombia-based organization led by women
promoting Afro-centered emancipatory education
around black feminism, decolonialism, and
community, and encouraging activism, protection
of nature, an ancestral care.