Sometimes, if you want to come home to yourself, you
have to shake off everything you once thought was
real. Human Human, the debut album from Chicago
singer, songwriter, and producer Carlile, shines a
beacon from that seat of transformation. A full-hearted
and inexhaustibly generous pop treasure, Human
Human radiates with the joy of unfettered selfacceptance -- and all the awkward, terrifying moments
of surrender it takes to get to a place where you can
finally fall in love with your own beautiful mess.Carlile is the middle name and performance alias of
Emily Nichols, a longtime figure in Chicago's thriving
underground music ecosystem. Over the past decade,
she's issued a streak of glossy synthpop EPs while
performing at storied venues and opening for big name
indie artists. In that time, she meticulously laid the
groundwork for her debut LP Human Human, an
unselfconsciously playful and thrilling work of synthpop recalling the warmth of Robyn and the luster of
MUNA in its bold, sweeping arcs. This is an album that
savors the pleasure of splashing a full rainbow of
feeling against the wall.On Human Human Nichols also focused on expanding
her production skills, a step that allowed her the
freedom to realize her songs from spark to execution,
down to the last details. "Prior to this album, I took a
back seat role for production. These were the first
songs where I was leading the charge," she says.
Nichols worked with longtime collaborator Noam
Wallenberg to crystallize the demos she had been
recording. Together, Nichols and Wallenberg drew out
the brightness that rings across Human Human,
spangling songs like "Illusion" with delicate vocal
accents and sowing layers upon layers of freewheeling
harmonies into "Fake Nice." The album features
production contributions from a noteworthy list of
Chicago artists including Neal Francis, Luke Titus, Macie
Stewart (of Finom), and Cocojoey.