The Task Has Overwhelmed Us

“It‘s a wild ride, but then life with Jeffrey Lee Pierce always was"- Kris Needs: The Jeffrey Lee Pierce Sessions Project has always aimed to highlight Jeffrey Lee Pierce as one of the most influential, but also most underrated US singersongwriters and to transport his art into today's world by reinterpreting the music of the Gun Club singer, who died far too early in 1996.After "We Are Only Riders" (2009), "The Journey Is Long" (2012) and "Axels and Sockets" (2014), "The Task Has Overwhelmed Us" presents songs from Pierce’s The Gun Club and solo times. Also included are entirely new tracks, created from song and lyric sketches and live demos that Pierce, born in California in 1958, had recorded and written down before his death. Almost ten years after the previous album "Axels and Sockets" was released, "The Task Has Overwhelmed Us" is finally the final chapter with artists such as Dave Gahan, Debbie Harry in duet with Nick Cave or Peter Hayes of The Black Rebel Motorcycle Club. Nearly ten years in the making, The Task Has Overwhelmed Us is the long-awaited fourth volume in The Jeffrey Lee Pierce Sessions Project series. Conceived in 2006 by the late Gun Club titan’s guitarist Cypress Grove, the Project has always aimed to highlight Pierce as one of America’s most fascinatingly influential singer-songwriters of the last century while propelling his outpourings into modern times by placing it in the hands of former collaborators, friends and fans. Following 2009’s We Are Only Riders, 2012’s The Journey Is Long and 2014’s Axels and Sockets, The Task Has Overwhelmed Us presents stellar interpretations of tracks from Pierce’s Gun Club and solo canons along with fresh works constructed from rehearsal skeletons, previously unheard lyrics, songs only performed live. Taking song ideas without lyrics and words looking for musical settings gave rise to what Cypress Grove calls “Frankenstein songs”. The stellar roll-call of contributors features the Project’s original recurring core including Nick Cave, Debbie Harry, Mark Lanegan, Lydia Lunch, Youth, Jim Jones, Warren Ellis, Mark Stewart, Hugo Race, Cypress himself plus Mick Harvey and J.P. Shilo as The Amber Lights, even Jeffrey himself from original tapes. These are joined by new bloods including Dave Gahan, Suzie Stapleton, Duke Garwood, Pam Hogg, The Coathangers, Black Rebel Motorcycle Club’s Peter Hayes and Leah Shapiro, Humanist, The Walkabouts’ Chris Eckman, Jozef van Wissem, Jim Jarmusch, Chantal Acda and Welsh space-rockers Sendelica with US vocalists Wonder and Dynamax Roberts. Like Pierce’s beloved jazz, the cast often spill into each other’s tracks. The mood throughout the eighteen tracks is of rare gems crafted with love, respect and the energy of committed fans, even obsessives channeling whatever facet or fragment of Pierce’s unruly muse fires their creative juices. It’s pretty much carved in legend how Jeffrey Lee Pierce roared out of post-punk LA brandishing an incendiary genius that flamed in the spotlight for just fifteen years before his untimely death in 1996. Despite the impact of the Gun Club and resonance of Pierce’s back catalogue, his legacy seemed in danger of shrinking to eternal cult status earlier this century, fading against modern blandness yet ever-radiating for a gaggle of core diehards he’d touched with his supernatural muse (quite possibly in a blizzard of chaos) Then along came London-based guitarist Cypress Grove, who’d played with Jeffrey in his final years gigging and on 1992’s Ramblin' Jeffrey Lee & Cypress Grove With Willie Love. Sorting out his loft one day in 2006, Cypress found an anonymous cassette containing bedroom rehearsals for Ramblin’… - “very vague but good enough to work from,” he says. “So I had the idea of asking people who worked with Jeffrey, were friends with him or who simply admired his work to help me complete the songs.” “The Cypress Tape” would soon be joined by other unrealized song sources from diverse tapes supplied by key characters in Jeffrey’s life coming on board, including Gene Temesy, who started the Gun Club fan club in 1984 and brought home Pierce’s ‘98 autobiography Go Tell The Mountain, writer-DJmusician Phast Phreddie Patterson and Jeffrey’s sister Jacqui, who supplied unfinished songs and previously unseen writings she’d discovered after her brother’s death. “The source material for some of the songs was so vague that it could be interpreted in many ways,” says Cypress. “There was no definitive or ‘original’ version. It was like trying to restore a painting where much of the material was missing.” (Lunch’s turning some lyrics from Phreddie’s collection into the scabrous nightmare roll of ‘Time Drains Away’, bolstered by Jarmusch on guitar and van Wissem’s medieval lute). From Gahan’s opening haunted piano ballad take on ‘Mother of Earth’ through, for example, Lanegan singing ‘Go Tell The Mountain’ backed by Ellis and Cave (who back Jeffrey himself on ‘Yellow Eyes’), Cave duetting beautifully with Debbie Harry again on ‘On the Other Side’ to Sendelica and Secret Knowledge’s Wonder hotwiring ‘Bad America’ into caterwauling mayhem mixed by veteran electro-Def Jam producer Jay Burnett, NY rapper Dynamax acknowledging Jeffrey’s hiphop obsession over the juddering beats.