Music in the Nineteenth Century examines the period from the Congress of Vienna in 1815 to the advent of Modernism in the 1890s. Frisch traces a complex web of relationships involving composers, performers, publishers, notated scores, oral traditions, audiences, institutions, cities, and nations. The book's central themes include middle-class involvement in music, the rich but elusive concept of Romanticism, the cult of virtuosity, and the ever-changing balance between musical and commercial interests. The final chapter considers the sound world of nineteenth-century music as captured by contemporary witnesses and early recordings. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense-as sounds notated, performed, and heard-focusing not only on composers and works, but also on broader social and intellectual currents.
1. Nineteenth-Century Music and Its Contexts 2. The Romantic Imagination 3. Music and the Age of Metternich 4. The Opera Industry 5. Making Music Matter: Criticism and Performance 6. Making Music Speak: Program Music and the Character Piece 7. Beyond Romanticism 8. Richard Wagner and Wagnerism 9. Verdi, Operetta, and Popular Appeal 10. Concert Culture and the ?Great? Symphony 11. Musical Life and Identity in the United States 12. The Fin de Siecle and the Emergence of Modernism 13. The Sound of Nineteenth-Century Music